So if you – the oppressed – hurt someone’s feelings, you’re just like the oppressor, right? Wrong. Oppression is not about hurt feelings. It is about the rights and opportunities that are not afforded to you because you belong to a certain group of people. When you use a racist slur you imply that non-whiteness is a bad thing, and thus publicly reinforce a system that denies POC the rights and opportunities of white people. Calling a white person a racist fuckhead doesn’t do any of that. Yes, it’s not very nice. And how effective it is as a tactic is definitely up for debate (that’s a whole other blog post). But it’s not oppression.
Movement and interactive relationship with the body has been the most important element throughout my body of work. However through these works, I also started to explore the mechanical structure as a form. Mechanical structure becomes the most enjoyable form to me as it becomes complex yet remains simple and coherent. The contrast between metal structural form and natural feather, together with the repetitive and whimsical movements of fragile wings, provokes the imagination and evolves the intimate relationship between work and viewer/wearer. Although the recent series, segmented wings have been focused on the formal challenge to engineer an intricate movement that simulates bird wings, these works are intended to be a series of poems in which I develope my own formal language, interpret the nature of wings, create various structural forms with movements, and share the metaphor, imagination, humor, with viewer/wearer.
My brother saved this document and everytime he gets angry at our neighbours for being loud he prints it to their wireless printer and you can hear the wife shout “Why the fuck would you print this AGAIN?!” to her son.